(Re)Visualizing National History

The role of the museum is a contentious one. The last fifteen years have seen scholars point to ways in which states - particularly imperial states - use museums as sites to showcase looted treasure, to document their geographic expansion, to present the state as the guardian of the national treasure, and to educate citizens and subjects. This period has also seen a great deal of attention paid to the reshaping of national histories and values in the wake of the collapse of the Communist bloc and the emergence of the European Union. (Re)Visualizing National History brings these two streams of scholarship together, treating the wave of monument and museum building in Europe as part of an attempt to forge consensus in politically unified, but deeply divided nations.

The essays in this collection explore the ways in which museums exhibit new national values, and, equally important, how the realization of these new museums (and new exhibits in older museums) reflects the search for a new consensus among different generational groups in Europe and in North America. The approach of the volume is deliberately interdisciplinary. The contributors come from a variety of countries in Europe and North America, speaking from the perspectives of cultural studies, history, art history, anthropology, and sociology, as well as museum studies.

AcknowledgmentsIntroduction: Museums and National Identities in Europe in the Twenty-First Century ROBIN OSTOWPart One. The Twenty-First Century: New Exhibits and New PartnershipsExhibition as Film MIEKE BALPart Two. Reconfiguring National History: Centralized and Local StrategiesThe Terror of the House ISTVAN REVPutting Contested History on Display: The Uses of the Past in Northern Ireland ELIZABETH CROOKEPart Three. Restoring National History with International ParticipationMuseums, Multiculturalism, and the Remaking of Postwar Sarajevo EDIN HAJDARPASI Building a Jewish Museum in Germany in the Twenty-First Century BERNHARD PURINRemusealizing Jewish History in Warsaw: The Privatization and Externalization of Nation Building ROBIN OSTOWPart Four. Displaying War, Genocide, and the Nation: From Ottawa to Berlin, 2005Constructing the Canadian War Museum/Constructing the Landscape of a Canadian Identity REESA GREENBERGPeter Eisenman's Design for Berlin's Memorial for the Murdered Jews of Europe: A Juror's Report in Three Parts JAMES E. YOUNGContributors Index